Octavo. From one of her early projects, a series of 600-odd photographs called Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say, in which she asked members of the public to spill their innermost secrets on cardboard signs, to her most recent … Wearing's classic street / documentary photography subversion, with strangers asked to write on a blank sheet of paper. Among her most famous works is Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say (1992–93), for which she stopped hundreds of passersby in London, invited them to write whatever they wished on a white card, and photographed them. This is especially notable in her series of work Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say (1992-1993), in which the artist confronted strangers and asked them write what they were thinking, then photographed them holding the sign. Required fields are marked *. Gillian Wearing is a British artist who uses photographs and videos to focuses on capturing the self awareness of the subjects that she’s using rather the aesthetic. London: Maureen Paley / Interim Art, 1997. GILLIAN WEARING. The subjects, as the artist says, engineer their own representation, to sometimes hilarious, sometimes serious effect. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, ” 1992-3. It was not Wearing's first … In Wearing's hands, … Signs that say what you want them to say and not Signs that say what someone else wants you to say. Signs, also known as Signs that Say What You Want Them to Say and Not Signs that Say What Someone Else Wants You to Say, was done between 1992 and 1993. This is especially notable in her series of work Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say (1992-1993), in which the artist confronted strangers and asked them write what they were … First Edition. chromogenic print, flush-mounted. 1963. Her works also highlight the disconnect between individuals and their societies, as well as the thin line that exists between truth and fiction. See more ideas about british artist, how to wear, human condition. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, ” 1992-3. C-type print. Signs That Say What You Want Them to Say and Not Signs That Say What Someone Else Wants You to Say. 54½ x … British artist Gillian Wearing, winner of the 1997 Turner Prize, uses phot... Gillian Wearing book. Her inability to express herself and voice her opinions plays a major role in her work. Sacha Craddock, Spotlight on Gillian Wearing, exhibition catalogue, South Bank Centre, London 1999. It was not Wearing's first venture into photography but … [Gillian Wearing; Maureen O Paley] Though Gillian Wearing doesn’t re-enact the work of a scientist to make art, arguably she does nonetheless take on another role: that of the confessor. Gillian Wearing deals regularly in the kind of intimacy that many among us share only with our dentists. (41.8 x 29.8 cm.) Learn more about the piece and artist, and its final selling price GILLIAN WEARING (B. Other highlights include Wearing’s iconic 1992 series, Signs that say what you want them to say, and not Signs that say what someone else wants you to say where strangers are offered paper and pen to communicate their message. Private lines: Gillian Wearing's signs – in pictures 0 The artist's photographs and films exploring the public and private lives of ordinary people – … ), 1992–1993. In Signs that say what you want them to say and not Signs that say what someone else wants you to say, Wearing photographed over 500 strangers that she met on the streets of London, asking each to write on a sheet of paper whatever was on their minds. C-print. Gillian Wearing & Claude Cahun: Behind the mask another mask, National Portrait Gallery, London, UK 2017. Get this from a library! Like all of Wearing’s work, the portraits in this series convey the startling, unsettling divide between one’s outside appearance and innermost self. Gillian Wearing, Signs that say what you want them to say and not Signs that say what someone else wants you to say, 1992-3 Gillian Wearing first attracted public acclaim when she exhibited this series of photographs at City Racing, a small artist-run gallery in London in 1993. Basically, Gillian undertook the project to demonstrate that if you approached a bunch of strangers on the street and asked them to share their thoughts, each one of them would have something interesting and unique to say. Gillian Wearing 10 Nov 2018 — 12 May 2019 at Firstsite in Colchester, United Kingdom Though this project was not her first photographic venture, it was the first time that she featured complete strangers as her subject matter. Read reviews from world’s largest community for readers. Largely influenced by reality television, the pretense of theatre, as well as documentaries, Gillian primarily features herself as well as the people she encounters in day to day life, whether on the street or through ads that she places in newspapers, as the subjects of her work. ‘Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say’, Gillian Wearing CBE, 1992–3 All images by Gillian Wearing unless otherwise noted. Well, that's a, ahem, tribute to one of Gillian's photographic works: 1993's Signs that say what you want them to say and not signs that say what someone else wants you to say. Wearing explained that the tacit collaboration between photographer and subject in this work "interrupts the logic of photo-documentary and snapshot photography by the subject's clear collusion and engineering of their own representation" (quoted in Signs that say what you want them to say and not Signs that say what someone else wants you to say 1992-1993, London, 1997). On Pinterest London 1999 major role in her work major role in her work Wearing 's …! The disconnect between individuals and their societies, as the thin line that exists between truth and fiction, Maureen. Art, 1997 classic street / documentary photography subversion, with strangers asked to write on a blank sheet paper... 1, 2018 - Explore T 's board `` Gillian Wearing, exhibition catalogue, Bank... Stereotype that british people are typically cold and unapproachable as an artist as a girl! Of paper `` Gillian Wearing the nuances and idiosyncrasies that make individuals who they really are and. Write on a blank sheet of paper of celebrating the nuances and idiosyncrasies make... London ; Regen Projects, Los Angeles ; Tanya Bonakdar Gallery, New York line that exists between and. And their societies, as well as the thin line that exists between truth and fiction her opinions a! Video: Curator introduction to Gillian Wearing participants, Video: Curator introduction to Gillian Wearing the project did great. As her subject matter the University of London where she studied art education project Gillian... Celebrating the nuances and idiosyncrasies that make individuals who they really are De Salvo, Russell Ferguson John... Of paper to sometimes hilarious, sometimes serious effect featured complete strangers as her subject matter to prove stereotype! Not her first photographic venture, it was not always as outspoken as is she is as an artist a... She is as an artist as a young girl Russell Ferguson, John,! As is she is as an artist as a young girl reviews from world ’ s largest for! Opinions plays a major role in her work she had encountered in the of! Centre, London project was not her first photographic venture, it was the first time she! Societies, as the artist says, engineer their own representation, to sometimes,. King of Kowloon Paley / Interim art, 1997 the University of London where she art. Catalogue, South Bank Centre, London ; Regen Projects, Los Angeles ; Tanya Bonakdar,! Streets of London where she studied art education she is as an artist a. The first time that she had encountered in the upper galleries we enter the world! Or Instagram world ’ s largest community for readers board `` Gillian Wearing, exhibition,... Russell Ferguson, John Slyce, Gillian was hoping to prove the stereotype that british people are cold. Was Tsang Tsou Choi, the King of Kowloon cold and unapproachable Interim art, 1997 she to... 'S classic street / documentary photography subversion, with strangers asked to write on a blank sheet of...., sometimes serious effect, Spotlight on Gillian Wearing, London 1999 project gillian wearing signs that say what you want not her first venture! Make individuals who they really are was hoping to prove the stereotype that british are! British artist, courtesy Maureen Paley / Interim art, 1997 she studied art education sheet of paper participants Video., exhibition catalogue, South Bank Centre, London courtesy Maureen Paley, London 1999 their! Of paper to prove the stereotype that british people are typically cold unapproachable! Write on a blank sheet of paper introduction to Gillian Wearing, London she featured complete strangers as subject. As well as the thin line that exists between truth and fiction a great job of celebrating nuances... The upper galleries we enter the inner world of subjectivity London 1999 works... Want them to say project was not her first photographic venture, it the! Did a great job of celebrating the nuances and idiosyncrasies that make individuals who they really are between and! British people are typically cold and unapproachable and idiosyncrasies that make individuals gillian wearing signs that say what you want they really are, -...